忍死抱琴而逃——遗民琴家尹尔韬的清初琴乐创作  

Escaping Despair with Guqin: Yin Ertao's Musical Compositions during the Early Qing Dynasty

作　　者：马天源 Ma Tianyuan

机构地区：[1]中央音乐学院 [2]河北师范大学音乐学院

出　　处：《中国音乐》2025年第2期115-130,共16页Chinese Music

摘　　要：由于明末崇祯帝的恩遇,琴家尹尔韬在明清鼎革后自觉加入了遗民队伍,并在经历逃亡后,最终于苏门山一带成为了标志性的遗民符号。他在清初创作了《鲁风》《安乐窝》《苏门长啸》《夏峰歌》《归来曲》《归去来辞》等琴曲,在创作意图、选曲题材、涉及人物等方面留有诸多遗民痕迹。以此身份与视角看待尹尔韬的清初创作,不仅能看到其作为艺术作品的一面,也可以更好地理解其创作动机与作品内涵。Favored by the Chongzhen Emperor, Yin Ertao, a renowned Guqin master, consciously positioned himself as an adherent of the Ming Dynasty after the dynastic transition. He eventually became an iconic symbol of Ming Dynasty Adherents in Sumen Mountain. During the early Qing Dynasty, Yin Ertao composed notable Guqin pieces such as Lu Feng, An Le Wo, Su Men Chang Xiao, Xia Feng Ge, Gui Lai Qu, and Gui Qu Lai Ci, which reflected his unique mentality in terms of creative intention, themes, and the characters involved. By considering his identity and perspective, Yin's works can be appreciated not only as artistic creations but also as profound expressions of his emotional and ideological response to the political and cultural upheaval of his time.

关 键 词：明代遗民 尹尔韬 《徽言秘旨订》 清初琴学 

分 类 号：J609.2[艺术—音乐]