诗集中的《浣溪沙》:惠洪的词学观念、写作传统与身份意识  

Huanxisha in the Poem Collection:Hui Hong's Concept of Ci,Writing Tradition and Identity Consciousness

作　　者：张硕 ZHANG Shuo

机构地区：[1]信阳师范大学文学院

出　　处：《西南交通大学学报(社会科学版)》2025年第1期91-108,123,共19页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：国家社科基金一般项目“南宋临安高僧文学及其在东亚文化圈的接受研究”(24BZW051)。

摘　　要：宋僧惠洪的词起初分别以词稿和诗稿的形态保存,前者经惠洪亲手编纂,凭借笔记传世;后者由弟子整理,依托诗集传播。诗集中的惠洪词以大观二年与李之仪次韵唱和的十四首《浣溪沙》为代表,与笔记中的惠洪词差异显著,在内容上与惠洪诗构成了紧密的互文关系,并使用了惠洪诗中常见的“叠次韵”手法,是典型的以诗为词,与其诗歌写作传统“元祐体”保持一致,呈现出以交际为词、以竞技为词、以才学为词的创作倾向,因此被编入诗稿。惠洪“破词为诗”的目的是突破身份对其词体创作的限制和作品传播的阻抑,使其能像士大夫词一样流传于公共领域,意在强调自己不但是禅僧,也是词人,体现出强烈的词人意识。Hui Hong's Ci poetry was originally preserved in the form of manuscripts poems,and the former was compiled by Hui Hong himself and passed down through his personal notes.The latter was compiled by his disciples and was disseminated by relying on a collection of poems.Hui Hong's Ci poetry in the poetry collection are is represented by the fourteen Huanxisha by the author and Li Zhiyi in the second year of Daguan,which are significantly different from the Hui Hong's Ci poetry in the notes,and constitute a close intertextual relationship with Hui Hong's poems in terms of content.These Ci poems are consistent with Hui Hong's poetry writing tradition YuanYou style,showing a creative tendency to use communication as words,competition as words,and talent as words,so they are compiled into the poems.Hui Hong's behavior is to break through the restrictions of his identity on his word creation and the obstacles to the dissemination of his works,so that his Ci can be circulated in the public domain like the words of scholars,which is intended to emphasize that he is not only a Zen monk,but also a poet of Ci,reflecting a strong poetic identity.

关 键 词：宋词 惠洪 互文关系 “叠次韵”手法 词人意识 

分 类 号：I20[文学—中国文学]