时间、空间与结构:《南柯记》叙事中的三类策略  

Time,Space and Structure:Three Kinds of Narrative Strategies in Nanke

作　　者：肖俏妮 米进忠 XIAO Qiaoni;MI Jinzhong

机构地区：[1]东华理工大学文法与艺术学院

出　　处：《西南交通大学学报(社会科学版)》2025年第1期109-123,共15页Journal of Southwest Jiaotong University(Social Sciences)

基　　金：国家社科基金西部项目“黄龙宗哲学研究”(21XZX026)。

摘　　要：《南柯记》取材于唐传奇《南柯太守传》,通过梦境与现实的强烈对比隐喻人生如梦。在处理故事时间与文本时间时,汤显祖在沿用原作梦境叙事的同时,运用停顿、等述、省略、概述等多种手法对其进行了改写,使叙述详略更加得当。《南柯记》还存在多重叙事空间,通过空间的呈现与切换,为受众带来新奇的接受体验,其中空庭与寺院等现实空间暗示着角色心理与故事走向,蚁国与天界等超现实空间来源于现实又推动剧情发展。除时空策略外,《南柯记》还有多样的叙事结构,南柯一梦、蚁国招驸、契玄度蚁等三条线索的交互及主角蚁国一梦与佛教度脱模式的表里嵌套,既提高了剧情丰富度,又加深了故事内蕴。Nanke(The Southern Branch)is based on Account of the Governor of Nanke.While inheriting the basic plot of the original work,Tang Xianzu uses a variety of narrative strategies to rewrite it.Nanke uses the dream narrative of the original work to make a sharp contrast between a vivid dream and fleeting reality,conveying the metaphor of life like a dream.When Tang Xianzu deals with the story time and text time,he also adopts the methods of pause,parallel narrative,omission and summary to make the narration more appropriate.At the same time,there are multiple narrative Spaces in Nanke.The real space,such as the deserted court and the temple,suggests the psychology of the characters and the direction of the story.The surreal spaces such as ant kingdom and heaven come from reality and promote the development of the plot.The presentation and switching of space bring the audience a novel experience of acceptance.In addition to the time-space strategy,Nanke also has a variety of narrative structures.The interaction of Chunyu Fen,Huai An,Qi Xuan and these three clues,as well as the nested pattern between the protagonist Huai Ans dream and Buddhism,not only enhances the plot richness,but also deepens the story connotation.

关 键 词：《南柯记》 《南柯太守传》 汤显祖 叙事策略 

分 类 号：I20[文学—中国文学]