基于用户体验的非遗文化展览馆设计研究--以傈僳族火草织布技艺展览馆为例  

Research on the Design of an Intangible Cultural Heritage Exhibition Hall Based on User Experience-Taking the Lisu Fire-Weed Weaving Exhibition Hall as an Example

作　　者：李子仪 徐笑非[1] 贾凌志 LI Ziyi;XU Xiaofei;JIA Lingzhi(School of Design and Art,Southwest Jiaotong University,Chengdu,Sichuan 611752,China)

机构地区：[1]西南交通大学设计艺术学院,成都611752

出　　处：《工业设计》2025年第3期130-133,共4页Industrial Design

基　　金：乐山市哲学社会科学重点研究基地西南民间非遗研究中心资助项目“德昌傈僳族火草织布技艺文化展览馆研”(SW24D004)。

摘　　要：研究从用户体验视角出发,旨在增强观众对非遗文化的认知与情感体验。文章通过对非物质文化遗产展览空间设计的方法进行探索,并以傈僳族火草织布技艺展览馆为实践对象,对傈僳族火草织布技艺的文化内涵及用户体验理论进行分析,从而构建从感官体验到情感体验的多层次设计框架,营造出既有教育意义又富有趣味性的非遗展览空间。以期为用户体验理论在非遗文化展示空间中的应用,以及非物质文化遗产的传承与发展提供参考。From the perspective of user experience,the study aims to enhance the audience's cognitive and emotional experience of intangible cultural heritage.This paper explores the design method of intangible cultural heritage exhibition space,takes the Lisu fire-weed weaving technology exhibition hall as the practice object,and analyzes the cultural connotation and user experience theory of the Lisu fire grass weaving technology,so as to construct a multi-level design framework from sensory experience to emotional experience,and create an educational and interesting intangible cultural heritage exhibition space.In order to provide reference for the application of user experience theory in the exhibition space of intangible cultural heritage,as well as the inheritance and development of intangible cultural heritage.

关 键 词：非物质文化遗产 用户体验 展示空间设计 

分 类 号：TU242.5[建筑科学—建筑设计及理论]