元明清散曲“嘲体”考论  

Research on“Satire-Style”Sanqu of Yuan,Ming and Qing Dynasties

作　　者：黎国韬[1] Li Guotao

机构地区：[1]中山大学中文系,广州510275

出　　处：《中山大学学报(社会科学版)》2025年第2期32-43,共12页Journal of Sun Yat-sen University(Social Science Edition)

基　　金：国家社会科学基金重大项目“中国早期戏剧史料辑录与研究”(20&ZD271)。

摘　　要：元明清散曲中尚存“嘲体”作品300余首,它们渊源于古代以诗、偈、词等韵语作“嘲”的文学样式和艺术样式,经历了元代初创、明代全盛、清代衰亡的发展过程。就内容而论,“嘲体”散曲可分嘲人之作、嘲物之作、嘲事之作、杂嘲之作四个大类;就风格而论,主要是以日常琐事为题材,语言俚俗,调笑滑稽,讽刺辛辣,此外亦有雅致、清丽、洒脱、狂放、沉郁之辞;就作家而论,贡献较大者则有曾瑞、赵彦晖、汤式、陈铎、陈所闻等人。Over 300“satire-style”嘲体sanqu散曲from Yuan,Ming and Qing Dynasties remain,which are rooted in Chinese ancient literary and artistic forms for satire that used rhymed language,such as poetry,gatha偈,ci-poetry词and experienced a development process of initial creation in Yuan Dynasty,full bloom in Ming Dynasty,and demise in Qing Dynasty.In terms of the content,the“satire-style”Ssanqu can be divided into four categories:satire of individuals,satire of objects,satire of events,and mixed satire.Regarding the style,these works generally focus on everyday trivialities,using colloquial language,humorous tones,sharp wit,and biting sarcasm.In addition,there are also examples of elegant,refined,free-spirited,unrestrained,and melancholic expressions.As for the authors,notable contributors include Zeng Rui曾瑞,Zhao Yanhui赵彦晖,Tang Shi汤式,Chen Duo陈铎,Chen Suowen陈所闻and so on.

关 键 词：元明清 散曲 嘲体 作者 

分 类 号：I20[文学—中国文学]