解放区前期敌后文艺座谈会述论  

On the Symposiums on Literature and Art behind the Enemy Lines in the Early Stage of the Liberated Areas

作　　者：秦林芳 Qin Linfang

机构地区：[1]吉林外国语大学国际传媒学院,长春130117

出　　处：《中山大学学报(社会科学版)》2025年第2期70-80,共11页Journal of Sun Yat-sen University(Social Science Edition)

基　　金：国家社会科学基金重点项目“解放区前后期文学的关联性研究”(18AZW019)。

摘　　要：在解放区前期,为了引导文艺更好地为抗战服务,各敌后抗日根据地多次召开了文艺座谈会,根据其不同性质,可分为导引型、褒奖型、纠偏型三种基本类型。文艺座谈会以鲜明的导向,向文艺和文艺工作者提出了明确的要求,即:根据地文艺必须发扬现实主义精神、为抗战服务,必须大众化、为民众所接受;根据地文艺工作者则必须深入生活、深入群众,并确立自己的阶级立场。作为文艺体制建设的重要手段,解放区前期敌后文艺座谈会在当时发挥了引领文艺方向的重要作用,并为解放区后期文学乃至其后的新中国文学如何加强文艺体制建设(特别是组织文艺座谈会本身)等方面积累了经验、提供了启示,因而具有重要意义。In the early stage of the Liberated Areas,in order to guide literature and art to better serve the Anti-Japanese War,the Anti-Japanese base areas behind the enemy lines held multiple symposiums on literature and art.Depending on their nature,these symposiums can be divided into three basic types:guiding,rewarding and corrective.They all set clear requirements to literature and art and their workers:literature and art in the base areas must carry forward the spirit of realism,serve the Anti-Japanese War and be popular and accepted by the masses;the literature and art workers in the base areas must immerse themselves in real life and the masses,and establish their own class stance.As an important means of building the system of literature and art,the symposiums on literature and art behind the enemy lines in the early stage of the liberated areas played an important roles in leading the direction of literature and art,and provided valuable experience and inspiration for the strengthening of literary system building in the later stages of the Liberated Areas and the literature of the new China.Therefore,these symposiums hold great historical significance.

关 键 词：敌后文艺座谈会 文艺方向 文艺体制 解放区前期 

分 类 号：I20[文学—中国文学]