悲哀往事记年年:新华文学关于“大检证”的叙述  

Chronicling Sorrowful Memories Through the Years:Narratives of Singapore Chinese Literature on the Dai Kensho

作　　者：苏永延[1] SU Yongyan(Department of Chinese,Xiamen University,Xiamen 361005,Fujian)

机构地区：[1]厦门大学中文系,福建厦门361005

出　　处：《厦门大学学报(哲学社会科学版)》2025年第2期97-106,共10页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)

摘　　要：日军在新加坡实行的“大检证”给新马人民带来巨大的伤害,战后涌现出的相关华文文学作品,如谢松山的《血海》、苗秀的《火浪》、赵戎的《在马六甲海峡》、郑辉的《天仇》等影响最大。这些作品真实而详细地描绘了日据时期日军所犯下的滔天罪行,以及新加坡人民所遭受的巨大苦难。随着时代的变迁,关于“大检证”的叙述在21世纪之后变得零星、冷静,叙述视角则以儿童及侧面描写为主,在新加坡民众之中,“大检证”也逐渐被淡化,这是很值得令人深思的。The Dai Kensho(Great Inspection)carried out by the Japanese military in Singapore inflicted tremendous suffering on the people of Singapore and Malaysia.In the aftermath of the war,several Chinese literary works emerged that tackled this theme,notably Xie Songshan's Sea of Blood,Miao Xiu's Waves of Fire,Zhao Rong's In the Strait of Malacca,and Zheng Hui's Heavenly Enmity.These works vividly and accurately depict the heinous crimes committed by Japanese militarists during the occupation and the immense suffering endured by the people of Singapore.As time has passed,narratives surrounding the Dai Kensho have become sporadic and subdued since the 21st century,often told from the perspectives of children or through indirect descriptions.Among the people of Singapore,the significance of the Dai Kensho has gradually faded,which is a matter worthy of reflection.

关 键 词：大检证 新加坡 华文文学 反法西斯 

分 类 号：I106[文学—世界文学]