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作 者:李生滨 胡娟 LI Sheng-bin;HU Juan(College of Chinese Language and Literature,Northwest Normal University,Lanzhou 730070,China)
出 处:《兰州文理学院学报(社会科学版)》2025年第2期9-14,共6页Journal of Lanzhou University of Arts and Science(Social Sciences Edition)
摘 要:《熊图腾》以真切的温情叙事直击疫情期间的爱情偶遇,又以多文本并置的互文性叙事呈现时代语境下人类的灾难和人性的本真。小说以时间倒错的艺术手法结构故事,形成文本内部现实话语空间与历史想象空间的错综对话,试图唤醒敬畏天地生命的图腾记忆和文化力量。这种超越时空的文化追寻亦是探寻人类共情的精神空间,因而触及现实生活里个体心理的变异。换言之,历史考古的文学想象和场景还原,亦即考古学和历史学的艺术写真,为文学叙事开拓了更广阔的言说空间。从作者所有的历史文化题材的小说创作而言,《熊图腾》是一种更为成熟的尝试,追寻文化的古雅情怀成就了小说的新锐和独特。Bear Totem directly describes a story of love encounter during the COVID-19,and presents the human disasters and the authenticity of human nature through the intertextuality narrative & multiple texts juxtaposed at the same time.The writer uses the artistic technique of time jump,to form an intricate dialogue between the realistic discourse space with the historical imagination,and tries to waking up the totem memory and cultural power.Such pursuing cultural value beyond time and space is also an exploration of the spiritual space for human empathy,so as to touching upon the variations in the individual psychology.In other words,the literary imagination and scene restoration of historical archaeology,that is,the artistic authenticity of archaeology and history opens up the broader discourse space for literary narrative.In terms of all the subject matter of historical and cultural novels,Bear Totem is the more mature attempt.The quaint and elegant sentiment of searching for cultures generates the work's novelty and uniqueness.
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