唐代寿州窑酱釉剪纸漏花瓷枕艺术及审美意蕴探析  

Exploring the Art and Aesthetic Implications of Porcelain Pillow with Sauce-Glazed Paper Cutting Pattern at Shouzhou Kiln in Tang Dynasty

作　　者：姚雨宏 高峰[1] YAO Yuhong;GAO Feng(School of Fine Arts,Anhui University,Hefei 230601,China)

机构地区：[1]安徽大学艺术学院,安徽合肥230601

出　　处：《宿州学院学报》2025年第1期6-9,共4页Journal of Suzhou University

基　　金：教育部人文社科青年基金项目(21YJC760093)。

摘　　要：寿州窑陶瓷制作技艺于2010年被列入安徽省第三批非物质文化遗产名录。寿州窑陶瓷作为隋唐匠人的制瓷精品,饱含着匠人们的美学思想及设计理念。文本旨在研究唐代寿州窑酱釉剪纸漏花瓷枕的艺术特点及其蕴含的审美意蕴。在研究方法上,文本采用了案例分析和文献研究的综合方法。通过案例分析,深入探析了唐代酱釉剪纸漏花瓷枕的艺术特征和审美意蕴,有助于人们深入理解中国传统造物的设计观念和美学思维,使古老的东方美学在新时代焕发出新的生机和活力。The ceramic production techniques of Shouzhou kiln were included in the third batch of intangible cultu-ral heritage list in Anhui Province in 2010.Shouzhou kiln ceramics,as exquisite porcelain products of craftsmen in the Sui and Tang dynasties,are full of their aesthetic ideas and design concepts.This paper aims to study the artistic characteristics and aesthetic implication of the porcelain pillow with sauce-glazed paper cutting pattern at the Shouzhou kiln in the Tang Dynasty.In terms of research methods,this paper adopts a comprehensive approach of case analysis and literature research.Through case analysis,this paper probes into the artistic features and aesthetic implications of the Tang Dynasty porcelain pillow with sauce-glazed paper cutting pattern,which is helpful to deeply understand the design concept and aesthetic thinking of Chinese traditional creation,and make the ancient oriental aesthetics glow with new vitality and energy in the new era.

关 键 词：寿州窑 剪纸漏花 瓷枕 审美意蕴 

分 类 号：J527.9[艺术—艺术设计]