日本诗坛对徐凝诗歌创作的接受  

The Reception of Xu Ning’s Poetry in Japanese Literary Circles

作　　者：李卓蕙 LI Zhuohui(School of Humanities,Shanghai Normal University,Shanghai 200234,China)

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《苏州教育学院学报》2025年第1期92-100,共9页Journal of Suzhou College of Education

摘　　要：徐凝是元和间著名诗人,与白居易、元稹等人往来密切,亦被归入白派诗人。徐凝的诗歌风格朴略,但亦有巧思,善用对句与数词增强诗歌韵味。徐凝的诗文传入日本后,从五山时期到明治时期,日本诗坛不乏对徐凝诗歌的接受,前期接受以《庐山瀑布》为主,后期转向《忆扬州》,其间夹杂《长庆春》《和夜题玉泉寺》等,但并未形成全面、系统的接受。Xu Ning,a renowned poet of the Yuanhe Era,was closely associated with Bai Juyi and Yuan Zhen.His plain yet ingenious poetry,marked by antitheses and numerical imagery,gained reception in Japan from the Gozan to Meiji periods.Early reception focused on Lushan Waterfall,later shifting to Reminiscing Yangzhou,with sporadic attention to other works like Longqing Spring and Night Poen on Yuquan Temple.However,comprehensive and systematic reception of his works remained unformed.

关 键 词：徐凝 日本 汉诗 汉学 诗歌 

分 类 号：I206.2[文学—中国文学]