刻削峭拔,文采飞动:论“长吉体”的“势”  

Sharp and Steep,Literary and Dynamic:On the“Shi”of Changji Style

作　　者：赵一 ZHAO Yi(College of Liberal Arts,Shanghai University,Shanghai 200444)

机构地区：[1]上海大学文学院,上海200444

出　　处：《苏州教育学院学报》2025年第1期101-108,共8页Journal of Suzhou College of Education

摘　　要：李贺诗因风格独特而有“长吉体”之称。李贺诗除奇幻瑰丽的一面,还有刻削峭拔、文采飞动的一面,而后者多为论长吉者所忽略。实际上,刻削峭拔、文采飞动的“长吉体”之“势”,才是形成“长吉体”美学风貌的核心因素。“长吉体”之“势”,写作上分起势、铺势、落势、余势;内容上包括形势、气势、情势,其形势凝重流转、气势刻峭险急、情势回折跌宕。长吉诗“势”之特点,与诗人作诗时求取情状、裁定时空的思路和方法相关,受其复杂的情感影响,深植于诗人对生命、自然和宇宙的深沉思考。Li He’s poetry,known for its distinctive style,is termed“Changji-style”.While the fantastical and ornate aspects of Changji-style are widely recognized,its incisive sharpness and dynamic literary elegance have often been overlooked.In truth,the“shi”of Changji-style,marked by its sculpted intensity and textual vitality,constitutes the core of its aesthetic character.Originally signifying literary form,“shi”adheres to stylistic conventions while being shaped by other literary elements,endowing works with an intrinsic kinetic energy for expansion and depth.Within Changji-style,“shi”manifests structurally through four compositional phases:qi-shi,pu-shi,luo-shi,and yu-shi.Thematically,it encompasses three dimensions:physical momentum,textual momentum,and emotional momentum.These features emerge from Li He’s unique approach to capturing emotional states and manipulating time-space frameworks,reflecting both his psychological complexity and profound meditations on life,nature,and cosmic order.The“shi”of Changji-style thus intertwines technical innovation with existential depth,positioning it as a pivotal paradigm in the evolution of classical Chinese poetics.

关 键 词：李贺 “长吉体” “势” 抒情范式 中国诗学 

分 类 号：I206.2[文学—中国文学]