东北传统大秧歌的活态本体论  

The Dynamic Ontology of the Traditional Yangge in Northeast China

作　　者：杨和平 Yang Heping

机构地区：[1]浙江师范大学艺术学院,金华321004

出　　处：《音乐艺术(上海音乐学院学报)》2024年第6期126-133,共8页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：东北传统大秧歌具有悠久历史,在漫长的传承和发展中逐渐成就其诙谐的表演形式、丰富的思想内涵、独特的音乐风格,成为一款集娱乐性、趣味性、观赏性、康体性于一体的艺术项目。通过对2024年第三届“老念想”东北秧歌大赛进行“活态本体”观察,不难发现东北传统大秧歌所面临的问题与困境。故应大力培养秧歌人才、创新秧歌曲牌、加大秧歌传播力度,以推动新时代东北大秧歌的创造性转化和创新性发展。The traditional Yangge in Northeast China has a long history.Through its long inheritance and development process,Yangge has gradually formed a humorous performing form,rich ideological content,and characteristic music style,and has become an entertainment that integrates recreation,performance,and social physical activity.This paper researches into China's Third"Laonianxiang"Northeast Yangge Competition held in 2024 from the perspective of"dynamic ontology,"and reveals problems and dilemmas faced by the traditional Yangge in Northeast China.The paper proposes that more efforts should be made to cultivate Yangge talents,compose new Yangge music,and facilitate the spread of Yangge,and thus to promote the creative development of the Northeast Yangge in the new era.

关 键 词：东北大秧歌 形态 特征 活态传承 

分 类 号：J618[艺术—音乐]