韦拔群革命音乐活动述略  

A Brief Account of Wei Baqun's Revolutionary Music Activities

作　　者：周楼胜[1] Zhou Lousheng

机构地区：[1]广西师范大学音乐学院,桂林541001

出　　处：《音乐艺术(上海音乐学院学报)》2024年第6期144-153,共10页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年国家社科基金重大项目“中国共产党革命音乐百年发展史研究”阶段性成果,项目批准号:21&ZD034。

摘　　要：韦拔群生长生活在民族音乐资源丰富的左右江地区,具有出色的山歌编创和演唱能力,这为他利用音乐开展革命活动奠定了基础。韦拔群汲取彭湃等农民运动领袖用民歌宣传革命、开展社会动员的经验,在东兰农民运动讲习所的教学中开设“革命歌曲”课程,并在左右江革命根据地的其他各类学校及圩场开展革命音乐教育活动;利用广西壮族“勒脚歌”的音调编创革命歌曲,将革命理论和中国共产党开展土地革命的政策寓于其中,正是运用这些革命山歌,韦拔群广泛发动、激发人民群众参与土地革命,进而有力提升革命工作成效。Wei Baqun grew up and lived in the Zuojiang and Youjiang regions,where the rich ethnic music resources cultivated his exceptional skills in composing and performing folk songs,and laid the foundation for him to carry out revolutionary activities through music.Wei Baqun drew on the experiences of peasant movement leaders such as Peng Pai,who utilized folk songs to promote revolution and social mobilization,and offered a course of"Revolutionary Songs"at the Donglan Peasant Movement Lecture Institute.He also conducted revolutionary music education in various schools and marketplaces across Zuojiang and Youjiang revolutionary base areas.Wei Baqun adapted traditional tunes of"Lejiao songs"of the Zhuang ethnic group in Guangxi Province into revolutionary songs,and combined them with the revolutionary theories and land revolution policies of the Communist Party of China.Through these revolutionary folk songs,Wei Baqun mobilized the broad masses extensively,ignited their enthusiasm for land revolution,and significantly enhanced the revolution's accomplishment.

关 键 词：韦拔群 革命音乐 勒脚歌 左右江 

分 类 号：J609.2[艺术—音乐]