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作 者:熊小玉[1] 孙艳[1] Xiong Xiaoyu;Sun Yan
机构地区:[1]江西师范大学音乐学院
出 处:《音乐艺术(上海音乐学院学报)》2024年第6期154-163,共10页Art of Music(Journal of the Shanghai Conservatory of Music)
基 金:2021年度江西省社科“十四五”基金一般项目“江西红色音乐文化在新时期的创承与发展研究”阶段性成果,项目批准号:21YS07。
摘 要:抗战时期的程懋筠在抗日民族统一战线号召下,自觉担负起唤醒、教育和组织大众的使命,开展一系列与抗战密切相关的音乐创作、表演、出版和教育活动。这些音乐活动体现出中国抗日战争对抗日民族统一战线的依托、戏剧与歌咏相融合以及活动地区相对固定、活动形式多样的特点,有效壮大了战时抗敌歌咏力量,积极推动抗战音乐宣传的蓬勃发展。程懋筠的抗战音乐活动不仅是珍贵的音乐历史记录,更具有传承国家记忆和民族精神的历史意义。During the War of Resistance against Japanese Aggression,Cheng Maoyun took on the mission of awakening,educating,and leading the people under the banner of the Chinese united front against Japanese aggression.He carried out a series of music-related activities closely tied to the war effort,including music compositions,performances,publications,and educational initiatives.Relying on the Chinese united front against Japanese aggression,these activities were carried out with the integration of drama and chorus,and although the location was comparatively fixed,the events were varied.Cheng Maoyun's wartime music activities effectively strengthened the wartime chorus movement and promoted the music mobilization during the war of resistance.These activities are not only precious records of music history but also hold historical significance in preserving national memory and the spirit of the Chinese people.
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