当代琵琶协奏曲的文人文化形象建构  

Towards the Construction of the Cultural Image of Literati in ContemporaryPipa Concertos

作　　者：汤晓风 Tang Xiaofeng

机构地区：[1]上海音乐学院民族音乐系,上海200031

出　　处：《音乐艺术(上海音乐学院学报)》2024年第6期164-172,共9页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年度国家社科基金艺术学重大项目“中国少数民族器乐艺术研究”阶段性成果,项目批准号:21ZD20。

摘　　要：当代琵琶协奏曲具有文人文化特征。从题材内容上看,或诠释诗词歌赋、或讲述历史故事、或塑造古代人物形象,并在中国古代题材的转向中,表现出借景抒情、托物言志的创作旨趣;从体裁形式上看,其突破“协奏曲”体裁特征,放逐“奏鸣曲式”结构原则以及琵琶与乐队的“竞奏”、主题动机贯穿发展手法,呈现出“板式—变速结构”,进而使其体现清新淡雅、宁静祥和、含蓄内敛的文人文化特征。当代琵琶协奏曲正从凸显“文曲”风格、追求“人文化”的审美取向中向中国文人文化传统靠近,印证了基于中国传统文化创造性转化和创新性发展的当代琵琶音乐文人文化形象正在构建。Contemporary pipa concertos exhibit characteristics of literati culture.In terms of programmatic content,these works have shown a trend of using traditional Chinese subjects,inspired by classical poetry and prose,historical stories,and ancient figures,achieving emotional expression through scenery depiction and conveying connotation through music narration.In terms of form and structure,these concertos deviate from the conventional process of concerto,such as the sonata form,the solo-tuti dialogue,and the theme-developing skills.Instead,they adopt a"variable-speed structure"based on traditional Chinese time patterns,enabling Chinese literati features of elegance,tranquility,and introversion.Along with the pursuit of the"literary style"and a"humanistic"aesthetic orientation,contemporary pipa concertos have brought pipa music,which has long oscillated between the"high"and the"folk,"closer to the cultural heritage of Chinese literati.They let people see that a cultural image of pipa music literati,rooted in the creative transformation and innovation of traditional Chinese culture,is taking shape.

关 键 词：琵琶协奏曲 中国传统文化 文人文化形象 

分 类 号：J632.33[艺术—音乐]