当代扬琴协奏曲的艺术特征:技巧、风格与体裁  

Artistic Characteristics of Contemporary Yangqin Concertos:Technique,Style,and Genre

作　　者：应皓同 Ying Haotong

机构地区：[1]上海音乐学院附中,上海200031

出　　处：《音乐艺术(上海音乐学院学报)》2024年第6期173-179,共7页Art of Music(Journal of the Shanghai Conservatory of Music)

基　　金：2021年度国家社科基金艺术学重大项目“中国少数民族器乐艺术研究”阶段性成果,项目批准号:21ZD20。

摘　　要：当代扬琴协奏曲的发展,一方面依托扬琴形制改革与演奏技法的革新,奠定展示“炫技美”的技术基础;另一方面通过运用现代作曲技法及多种音乐元素,展现鲜明的“当代性”,并在不断发挥调性、节拍、音色潜能的过程中形成兼具民族特色与现代气息的多元音乐风格。当代扬琴协奏曲的创作也不再严格遵循西方“协奏曲”的“奏鸣曲—套曲”结构原则,而更注重“板式—变速结构”原则,并体现出“段分”和“标题性”结构思维,最终呈现“非协奏曲”的体裁特征。“炫技美”“多样化”和“非协奏曲”体裁特征构成了当代扬琴协奏曲最主要的艺术特征。In the development of contemporary yangqin concertos,the reform of yangqin's structure and the innovation of playing techniques have laid a technical foundation for showcasing"virtuoso beauty."In addition,the application of modern compositional techniques and diverse music elements has contributed to developing a distinct"contemporary"style and a fused music style combining ethnic and modern characteristics through continuously exploring the potential of tonality,rhythm,and timbre.Contemporary yangqin concertos no longer rigidly adhere to the"sonata-cycle"structure of Western concertos.Instead,they emphasize the"variable-speed structure"based on traditional time patterns,and combine conceptions known as sectionalization and programmatic thinking.Ultimately,these works reveal a"non-concerto"feature.Virtuoso beauty,diversity,and"non-concerto"features are the most prominent characteristics of contemporary yangqin concertos.

关 键 词：扬琴协奏曲 炫技美 多样化 非协奏曲 

分 类 号：J632.51[艺术—音乐]