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作 者:周菠 ZHOU Bo(Institute of Chinese Literature,Southwest University,Chongqing 400715,China)
出 处:《湖北工业职业技术学院学报》2025年第1期43-50,57,共9页Journal of Hubei Industrial Polytechnic
摘 要:上世纪90年代,刘震云的文学成就主要集中于“故乡”系列小说的创作上。然而,这一长达200多万字的鸿篇巨制并没有引起批评界的广泛关注,究其原因,在于文本试验探索的先锋性与语言表达的失序,致使读者对小说失去了阅读兴趣。但在小说意义与形式混乱生成的背后,隐藏着刘震云对“新历史小说”这一文艺概念的独特认知,以及他对乡村社会权力易位与乡村治理体系的再度审视。同时,作者以一种带有青春叙事的意味展开故乡抒情。因此,“故乡”系列小说在文学表达维度所具有的深刻性,值得学界对其进行价值重估。In the 1990s,Liu Zhenyun’s literary achievements mainly focused on the creation of the“hometown”series of novels.However,this epic work of more than 2 million words has not attracted wide attention from the critics,the reason is that readers have lost interest in reading the novel because of the pioneering character of the text experiment and the disorder of the language expression.However,behind the chaotic generation of the meaning and form of the novel,Liu Zhenyun hides his unique cognition of the literary concept of“new historical novel”,his re-examination of the rural social power system and local ethics,and his lyricism in his hometown with a sense of youth narration.Therefore,the“hometown”series of novels in the dimension of literary expression has a profound worthy of the academic reevaluation.
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