从“革命文学”论争看《子夜》中的革命叙事——兼谈吴老太爷的“革命”  

On the Revolutionary Narrative in Midnight from the Perspective of the Controversy over"Revolutionary Literature"A Concurrent Discussion on Senior Mr.Wu's"Revolution"

作　　者：刘世浩 LIU Shi-hao(College of Humanities,Zhejiang Normal University,Jinhua 321004,China)

机构地区：[1]浙江师范大学人文学院,浙江金华321004

出　　处：《海南师范大学学报(社会科学版)》2025年第1期35-42,共8页Journal of Hainan Normal University(Social Sciences)

基　　金：国家社会科学基金重大项目“百年中国乡土文学与农村建设运动关系研究”(21&ZD262)。

摘　　要：茅盾始作于1931年10月、完成于1932年12月的长篇小说《子夜》中的革命叙事,在很大程度上受到1928年前后“革命文学”论争的影响。“革命文学”论争促使茅盾重新思考“文学”与“革命”的关系问题,调整小说创作方向,并有意识地从积极意义上表现社会革命。面对批评者们的质疑,茅盾从论争一开始就坚持以文学创作本身作为评价文艺运动成功与否的标准,不断摸索以“文学”的方式回应时代议题。简言之,《子夜》中的革命叙事实际上是茅盾在“革命文学”论争前后以及参加“左联”之后不断思考如何在小说创作中展现中国革命的结果。这种创作思路的调整一方面体现在茅盾对《子夜》叙事方式的重新编排,另一方面则表现为文本内部的叙事张力。这种张力借助吴老太爷早年的“革命”经历,勾连起晚清时期与20世纪30年代的革命历史,将《子夜》中革命叙事的“前世”与“今生”整合到一起。The revolutionary narrative in Mao Dun's novel Midnight,which was first written in October 1931 and completed in December 1932,was largely influenced by the controversy over"revolutionary literature"around 1928,which prompted Mao Dun to reconsider the relationship between"literature"and"revolution",adjust the direction of his novel creation,and consciously express social revolution in a positive sense.Faced with the doubts of critics,Mao Dun has insisted on the literary creation itself as the standard for evaluating the success of literary and artistic movements from the start of the controversy,and constantly explored ways to respond to the issues of the era in a"literary"manner.In short,the revolutionary narrative in Midnight is actually Mao Dun's constant reflection on how to demonstrate the results of the Chinese revolution in his novel creation before and after the controversy over"revolutionary literature"and after his engagement in the"Left Alliance".The adjustment of this creative approach is reflected in Mao Dun's rearrangement of the narrative style of Midnight on the one hand,and in the narrative tension within the text on the other hand.This tension,with the help of senior Mr.Wu's early"revolutionary"experience,connects the revolutionary history of the late Qing Dynasty and the 1930s,and thus integrates the"past life"and the"present life"of the revolutionary narrative in Midnight.

关 键 词：茅盾 《子夜》 “革命文学”论争 革命叙事 

分 类 号：I206.6[文学—中国文学]