《野草》与散文诗的文体边界问题  

The Stylistic Boundary between The Wild Grass and Prose Poetry

作　　者：妥东 TUo Dong(Office of Literary Creation Theory Research,Jiangsu Writers'Association,Nanjing 210109,China)

机构地区：[1]江苏省作家协会创作理论研究室,江苏南京210019

出　　处：《海南师范大学学报(社会科学版)》2025年第1期52-60,共9页Journal of Hainan Normal University(Social Sciences)

基　　金：山东省社会科学规划青年项目“新世纪散文理论与批评话语建构研究”(22DZWJ05)。

摘　　要：鲁迅的散文诗集《野草》的出现确立了散文诗文体的合法性,扩充了散文诗文体的基本形式内涵。与此同时,散文诗颇为自由的文体形式也与鲁迅复杂精神状态之间有着较为独特的同构性,它使《野草》成为鲁迅生命观与文学观交织互动的审美形态的真实写照。鲁迅在生命“彷徨期”创作了一系列散文诗,且有意识地将其结集出版,既有彼时散文诗的理论争鸣作为铺垫,同时也关联着鲁迅在创作转型中自觉而清晰的艺术选择。更为重要的是,鲁迅的思想境界与精神气质使得散文诗的文体形式自身,在拓展表现空间的基础上突破了其在理论和创作层面的双重“边界”,继而为现代散文诗提炼出一种开放、包容的文体特质。The appearance of Lu Xun's prose poetry collection The Wild Grass has established the legitimacy of the prose poetry genre and expanded its basic form and connotation.At the same time,there is also a unique isomorphism between the free style of prose poetry and Lu Xun's complex mental state,which makes The Wild Grass become a true portrayal of the aesthetic form of Lu Xun's life and literary views interwoven and interacted with each other.The fact that Lu Xun wrote a series of prose poems during the"wandering period"of his life,and consciously published them in a collection not only laid the foundation for the theoretical debates of prose poetry at that time but also related to his conscious and clear artistic choices in the transition of his creative work.More importantly,Lu Xun's ideological realm and spiritual temperament have enabled the literary form of prose poetry to break through its dual"boundaries"in theory and creation on the basis of expanding its expressive space,and thus refine an open and inclusive literary characteristic for modern prose poetry.

关 键 词：鲁迅 《野草》 散文诗 文体 

分 类 号：I206.6[文学—中国文学]