浅析何家村窖藏出土金银器所体现的设计美学思想--以陕西省博物馆藏葡萄花鸟纹银香囊为例  

Analysis of the Design Aesthetics in the Gold and Silver Artifacts Unearthed in Hejiacun Hoard——Taking the Grape Flower and Bird Patterned Silver Scented Sachets in Shaanxi Provincial Museum as an Example

作　　者：孙一帆 陈浩楠 李绍文[1] 

机构地区：[1]西安建筑科技大学艺术学院

出　　处：《包装与设计》2025年第1期114-115,共2页Package & Design

摘　　要：上世纪70年代何家村窖藏被发现后,一批精美的工艺美术品被写进中华文明史。这批文物数量达千件,类型多样,制作精美,以金银器数量最多。本文采用田野观察法及文献分析法,以出土自何家村的葡萄花鸟纹银香囊为例,从功用、材质、技术及装饰等方面分析自何家村出土的唐代金银器给当代设计活动带来的设计美学启示,即:当代设计师在造物过程中只有坚持适用为上的原则、充分考量材质的特性、使用适当的制作及装饰技艺以及使用当代审美语境所接受的装饰纹样,才能设计出符合当代设计美学的作品。Since the discovery of the Hejiacun Hoard in the 1970s,another batch of exquisite arts and crafts have been written into the history of Chinese civilization.This batch of cultural relics amounted to thousands of pieces with diverse types,exquisite production,many of which were gold and silver wares.Using field observation and literature analysis,this paper takes the grape flower and bird patterned silver sachet unearthed from Hejiacun as an example,to analyze the design aesthetic enlightenment brought by the Tang Dynasty gold and silver unearthed from Hejiacun to contemporary design activities from the aspects of function,material,technology and decoration.That is,in the process of creation,designers can design works that conform to contemporary design aesthetics only by adhering to the applicable principle,fully considering the characteristics of materials,using appropriate production and decoration techniques,and using decorative patterns accepted in the contemporary aesthetic context.

关 键 词：设计美学 何家村窖藏 葡萄花鸟纹银香囊 

分 类 号：K87[历史地理—考古学及博物馆学]