移民视角下明清乐在日本的传播与变迁  

The Dissemination and Transformation of Ming and Qing Music in Japan:An Immigrant Perspective

作　　者：王静怡[1] 王晓霖 Wang Jingyi;Wang Xiaolin

机构地区：[1]青岛大学音乐学院,青岛266075

出　　处：《音乐文化研究》2025年第1期105-117,共13页Music Culture Studies

基　　金：国家社科基金项目“近代中国音乐文化海外传播历史研究”(基金编号:19BD056)的阶段性成果。

摘　　要：明清乐是指在日本江户时代,经长崎传入日本的近代中国传统音乐的通称。其中,明乐偏向于宫廷音乐和文人音乐,清乐则与我国南方的民间音乐更相似,日本将两者统称为明清乐。明清乐伴随着中国的移民活动传播到了日本,中国移民一系列的明清乐表演、教授活动,促进了明清乐在日本的繁荣发展,日本明清乐最著名的林德建和金琴江派系就此诞生。这一时期的日本涌现了大量的明清乐乐谱,明清乐中的《茉莉花》《纱窗》《算命曲》等民歌和月琴、琵琶等乐器,也在日本广为流传,并发生了变迁。明清乐对日本音乐的发展产生了重要影响,是中日音乐文化交流的重要组成部分。Ming and Qing music refers to Chinese traditional music introduced to Japan during the Edo period via Nagasaki.Ming music is about court and literati music,while Qing music is similar tosouthern Chinese folk music.Both are collectively referred to as Ming and Qing music in Japan.It spread to Japan through Chinese immigrants,particularly,performances and teachingfostered the development.During this period,famous schools such as Lindejian and Jinqinjiang emerged,and numerous scores appeared.Folk songs such as "Jasmine Flower","Silken Curtains",and "Fortune Telling" along with yueqin and pipa became widely popular and transformed.Ming and Qing music significantly influenced Japanese music and represents an essential aspect of Sino-Japanese cultural exchange.

关 键 词：中国明清乐 移民 日本 音乐传播 

分 类 号：J609.3[艺术—音乐]