精神空间建构下对“人”的凝视与探索——以《奥本海默》为例  

The Gaze and Exploration of"Man"Under the Construction of Mental Space-Taking Oppenheimer as an Example

作　　者：肖蓉 XIAO Rong(School of Literature,Hunan Normal University,Changsha 410081,Hunan)

机构地区：[1]湖南师范大学文学院,湖南长沙410081

出　　处：《湖南工业职业技术学院学报》2025年第1期54-58,共5页Journal of Hunan Industry Polytechnic

摘　　要：《奥本海默》作为一部讲述“原子弹之父”——奥本海默的人物传记类影片,不同于以往人物传记类影片,它不以人物行动推动故事情节发展或侧重于在现实物质空间中塑造人物形象,而是以第二次世界大战时期希特勒入侵波兰,美国向日本广岛、长崎投下两枚原子弹为背景,使用大量的对白串联起三个碎片化时空,通过特写镜头、心理蒙太奇、符号等手法沉浸式地完成了对主要角色的精神空间建构,在向观众揭示历史的同时,也进一步深入探索与凝视“人”,思考人性的复杂性与人类命运的关系。Oppenheimer as a biographical film about the"father of the atomic bomb".Unlike previous biographical films,it does not rely on character actions to drive the development of the story plot or focuses on shaping character images in the material space of reality.Instead,it uses the background of Hitler's invasion of Poland and the United States dropping two atomic bombs on Hiroshima and Nagasaki in Japan during World WarⅡ.The film uses a large amount of dialogue to connect three fragmented time and space,and through close-up shots,psychological montage,symbols,and other techniques,immersively constructs the spiritual space of the main character.While revealing history to the audience,it also further explores and gazes deeply into"humanity",contemplates the relationship between the complexity of human nature and human destiny.

关 键 词：精神空间 人性 人类命运 

分 类 号：J905[艺术—电影电视艺术]