《黑神话:悟空》角色服装设计与中国传统审美的融合  

Integration of character costume design and traditional Chinese aesthetics in“Black Myth:Wukong”

作　　者：刘浩 王听 LIU Hao;WANG Ting(School of Animation and Digital Arts,Communication University of China,Nanjing,Nanjing 211172,China)

机构地区：[1]南京传媒学院动画与数字艺术学院,江苏南京211172

出　　处：《染整技术》2025年第3期104-106,共3页Textile Dyeing and Finishing Journal

摘　　要：《黑神话:悟空》作为国内首款3A游戏,凭借独特的文化背景和创新设计引发全球玩家的广泛关注。该游戏中的服装设计融入我国传统文化元素,并在色彩、形态、纹样等方面进行了创新。探讨《黑神话:悟空》中的服装设计如何融入中国传统审美以及其在全球语境下的文化创新,为传统文化的传承与创新提供参考。As the first 3A game in China,“Black Myth:Wukong”has attracted widespread attention from global players due to its unique cultural background and innovative design.The clothing design in the game integrates the elements of Chinese traditional culture,and carries out innovations in color,shape,pattern and other aspects.Therefore,how the costume design in“Black Myth:Wukong”integrates into the traditional Chinese aesthetic and its cultural innovation in the global context is explored,so as to provide references for the inheritance and innovation of traditional culture.

关 键 词：《黑神话:悟空》 游戏角色 服装设计 传统审美 

分 类 号：TS941.12[轻工技术与工程—服装设计与工程]