“江西画派”谱系的时代结构与地理分布研究——兼论“江西画派”谱系的历史人文逻辑  

The Temporal Structure and Geographical Distributionof the“Jiangxi School of Painting”Genealogy—A Discussion on the Historical and Cultural Logic of the“Jiangxi School of Painting”Genealogy

作　　者：陈露 卢小平 CHEN Lu;LU Xiaoping(School of Fine Arts,Nanchang Normal University,Nanchang 330032,China)

机构地区：[1]南昌师范学院美术学院,江西南昌330032

出　　处：《南昌师范学院学报》2025年第1期21-25,共5页Journal of Nanchang Normal University

基　　金：江西省社会科学“十四五”基金项目“‘江西画派’谱系研究”(21YS28);2022年江西省高等学校教学改革研究省级课题“课程思政融入《江西美术史》课程建设与实践研究”(JXJG-22-23-21)。

摘　　要：“江西画派”的命名出现于清初,其外延则可以覆盖江西古代美术发展史中的本土画家群体,在中国美术史中具有悠久的“谱系”历史。厘清“江西画派”谱系的历史结构和地理分布是进行江西区域历史文化深入研究的首要问题:这一谱系自五代至清代画家数量的消长同江西历史演进轨迹同步,其地理分布是江西区域内部状况的反映。“江西画派”谱系的历史逻辑同样塑造了人才济济、绘画门类齐全、注重创新精神等特质,它的丰厚遗产仍是江西区域文化特色的美术创作与研究的历史推动力。The term“Jiangxi School of Painting”was coined in the early Qing Dynasty,and its scope encompasses local painters in Jiangxi throughout the history of ancient Chinese art.The“Jiangxi School”holds a long-standing“genealogical”history in Chinese art history.Clarifying the historical structure and geographical distribution of the“Jiangxi School of Painting”genealogy is the key to in-depth research.This genealogy reflects a dynamic progression,with the number of painters from the Five Dynasties to the Qing Dynasty rising and falling in parallel with the historical evolution of Jiangxi.Its geographical distribution mirrors the internal conditions of the Jiangxi region.The historical logic behind the“Jiangxi School”genealogy has also shaped distinctive traits,such as a wealth of talent,a comprehensive range of painting genres,and a focus on innovative spirit.The rich heritage of this school remains a historical driving force for artistic creation and research that reflects the cultural characteristics of the Jiangxi region.

关 键 词：“江西画派”谱系 历史结构 地理分布 人文逻辑 区域特质 

分 类 号：J212[艺术—美术]