昆剧《十五贯》:“戏改”下的现实选择和话语借用  

Kunqu Opera Fifteen Strings of Cash:Realistic Choices and Discourse Borrowing under the"Theatrical Reform"

作　　者：张振杰 Zhang Zhenjie

机构地区：[1]河南大学文学院

出　　处：《四川戏剧》2025年第1期34-38,共5页Sichuan Drama

基　　金：2021年度国家社科基金年度一般项目“中国现代报纸的作家新闻报道史料整理、汇编与研究”(项目编号:21BZW034)的研究成果。

摘　　要：由黄源主持、陈静执笔改编的昆剧《十五贯》因契合当时社会“反主观主义、官僚主义作风”的愿望和符合戏剧界的“戏改”期待而得到政界和文艺界的双重认可,被誉为“百花齐放,推陈出新”的榜样。权力话语的肯定使昆剧《十五贯》在全国范围引发“热潮”,戏剧界也借助权力话语扭转“戏改”工作中“左”的偏向,使戏曲剧目工作出现新的局面。作为50年代古典剧本改编的成功典型,昆剧《十五贯》编演实践不仅反映了权力话语在“戏改”工作中的导向作用,也凸显了当代戏剧现代化进程中多种力量的角力和博弈,呈现了戏剧改革内部版图建构的复杂性。The Kunqu opera, Fifteen Strings of Cash, whose adaptation was led by Huang Yuan and penned by Chen Jing, gained acclaim in both political and artistic circles for its alignment with societal antisubjectivism and antibureaucracy movements while meeting operatic reform expectations. Celebrated as a model of "letting a hundred flowers blossom and bringing forth the new out of the old, " the opera's endorsement by authorities sparked a nationwide response, enabling the theatre community to leverage official discourses to confront leftist biases in their reform efforts. As a successful adaptation from a classical script in the 1950s, this opera exemplifies the guiding role of authority in theatrical reforms and underscores the complex interplay of various forces in modernizing contemporary drama.

关 键 词：昆剧《十五贯》 戏改 权力话语 复杂性 

分 类 号：J82[艺术—戏剧戏曲] I207.3[文学—中国文学]