“起”“引”“伏”“逗”“张本”——论晚清传奇评点中的启下术语  

"Qi","Yin","Fu","Dou","Zhangben":A Study on Qixia Terms in the Commentaries on Late Qing Legends

作　　者：高宇星 Gao Yuxing

机构地区：[1]山西传媒学院

出　　处：《四川戏剧》2025年第1期39-45,共7页Sichuan Drama

基　　金：2018年度国家社科基金重大项目“明清戏曲评点整理与研究”(项目编号:18ZDA252);2024年度教育部人文社会科学研究青年基金项目“清代民间演剧管理制度及其社会功能研究”(项目编号:24YJCZH214)的研究成果。

摘　　要：启下术语是中国古典戏曲评点中结构术语的重要组成部分,具有数量较多、内涵丰富、用法多变等特征。在晚清传奇评点中,出现了“起”“引”“伏”“逗”“张本”“射”“跌”“透”“逼”等在结构上具有启下功能的术语,尤其以前五种术语的应用最为普及。作为中国古代戏曲叙事法则的特殊呈现,它们反映出了当下戏曲界的主流观念,在戏曲批评的理论构建、戏曲创作和传播方面均发挥着一定的作用,其中体现出来的中国古典戏曲布局中的结构美学,也有助于我们探究中国古典戏曲批评的思想体系。Qixia terms are an important part of the structural terms used in the commentaries on Chinese classical operas, featuring a relatively large number, rich connotations, and diverse usages. In the commentaries on late Qing legends, terms such as "qi"(initiation), "yin"(introduction), "fu"(foreshadowing), "dou"(cue), "zhangben"(ground-work), "she"(allusion), "die"(setback), "tou"(penetration), and "bi"(compulsion) with Qixia functions in structure emerged, among which the first five terms were the most commonly used. As a special manifestation of the narrative rules of ancient Chinese operas, these terms reflect the mainstream concepts in the contemporary opera field and play certain roles in the theoretical construction of opera criticism, opera creation, and dissemination. The structural aesthetics in the layout of Chinese classical operas reflected by these terms also helps us explore the ideological system of Chinese classical opera criticism.

关 键 词：晚清传奇 戏曲评点 术语 起引伏逗张本 结构美学 

分 类 号：I207.37[文学—中国文学] K252[历史地理—历史学]