龟兹乐舞的历史镜像与当代再创  

The Historical Mirror and Contemporary Recreation of Qiuci Music and Dance

作　　者：杨静[1] Yang Jing

机构地区：[1]新疆艺术学院

出　　处：《四川戏剧》2025年第1期118-122,共5页Sichuan Drama

基　　金：2024年度教育部人文社会科学研究规划基金项目“新疆各民族舞蹈共有共享的中华文化符号和形象研究”(项目编号:24YJA760118)的研究成果。

摘　　要：通过对历史文献、石窟壁画、出土文物以及当代龟兹乐舞创作进行梳理,可以明确龟兹乐舞在不同文化的交流交融中生发、演变,体现着多元一体的文化符号和各民族共同的历史记忆;四大文明交汇、碰撞,奠定了龟兹乐舞多样化的基础,而作为中华文化符号和形象的象征,龟兹乐舞在当代的复现与再创,体现着民族共有精神家园的时代意涵。By sorting out historical documents, cave murals, unearthed cultural relics, and contemporary Qiuci music and dance creations, it can be clarified that Qiuci music and dance have emerged and evolved through the exchange and integration of different cultures, reflecting the cultural symbol of pluralistic integration and the shared historical memory of various ethnic groups. The convergence and collision of four major civilizations laid the foundation for the diversity of Qiuci music and dance. As a symbol and emblem of Chinese culture, the contemporary revival and recreation of Qiuci music and dance embody the significance of the shared spiritual homeland of the Chinese nation.

关 键 词：龟兹乐舞 文献、壁画与文物 多元一体 中华文化符号 

分 类 号：K87[历史地理—考古学及博物馆学]