“抗战八年木刻展”在日本的传播与接受  

The Spread and Acceptance of the Exhibition of Woodcuts of War-time China in Japan

作　　者：孙倩 Sun Qian(Shanghai Academy of Fine Arts,Shanghai University)

机构地区：[1]上海大学上海美术学院

出　　处：《美术》2025年第3期90-97,共8页Art Magazine

摘　　要：1946年,由中华全国木刻协会主办的“抗战八年木刻展”旨在展示抗战时期的木刻艺术,是抗日战争胜利后的重要展览。该展览不仅在国内产生了深远影响,提升了民族自豪感,还通过国际巡展促进了中日艺术交流。其中,日本于1947年举办了“中国初期木刻展”和“抗战八年木刻展”等展览,对战后日本左翼木刻运动产生了广泛影响。本文通过对这些展览的传播与社会意义的探讨,研究中国木刻在文化交流上的桥梁作用。其意义不仅在于中国木刻推动国际左翼美术的发展,更在于新的中国文化生产范式的形成。The Exhibition of Woodcuts of War-time China held by Chinese Woodcut Association in 1946 aimed at exhibiting woodcuts created during the Chinese People's War of Resistance against Japanese Aggression(the War of Resistance),which was an important exhibition after the victory of the War of Resistance.It not only had a profound impact in China and enhanced national pride,but also promoted artistic exchanges between China and Japan through international tours.Japan held the Exhibition of Early Chinese Woodcuts and the Exhibition of Woodcuts of War-time China in 1947,which had a wide impact on the post-war left-wing woodcut movement in the country.This article analyzes the spread of these exhibitions and their social significance to study the role of Chinese woodcuts as a bridge in cultural exchanges,which not only promoted the development of left-wing art in the world,but also facilitated the formation of a new cultural production paradigm in China.

关 键 词：抗战八年木刻展 左翼美术 现代木刻 国际传播 

分 类 号：J21[艺术—美术]