云冈石窟第5窟的开凿过程及其影响  

The Excavation Process of Cave 5 of Yungang Grottoes and Its Impact

作　　者： 李苑彤(译) 潘凯阳(译) Kumasaka Satomi;Li Yuantong;Pan Kaiyang

机构地区：[1]日本成城大学民俗学研究所,东京 [2]早稻田大学文学研究科美术史系,东京162-8644 [3]中央美术学院人文学院,北京100105

出　　处：《石窟寺研究》2024年第1期75-102,共28页Studies of the Cave Temples

摘　　要：文章围绕云冈石窟第5窟展开,讨论了第5窟及与其相近时期发愿、制作的佛龛之间的关系。就结论而言,第5窟的造像活动始于480年以后,在开凿期间,壁面发生的大规模裂隙对窟内造像活动产生了一定影响。造像活动以南壁、西壁、东壁的顺序展开,在此过程中,来自第11、13窟的影响逐渐减少,而来自第6窟的影响逐渐增加。第5窟在一定程度上显示了新样式的苗头,在构成方面部分混入了个别发愿造像的要素。第5窟有不同于第6窟的重要意义。The article focuses on Cave 5 of Yungang Grottoes and discusses the relationship between Cave 5 and the Buddhist niches made in similar periods.In conclusion,the statue making activities in Cave 5 began after 480 CE.During the excavation period,large-scale cracks in the wall had a certain impact on the statue making activities in the cave.The sculpture activities were carried out in sequence on the south wall,west wall,and east wall.During this process,the influence from Cave 11 and 13 gradually decreased,while the influence from Cave 6 gradually increased.Cave 5 shows signs of a new style to a certain extent,with some elements of individual vow statues mixed into its composition.Cave 5 has a different significance from Cave 6.

关 键 词：云冈石窟第5窟 个别发愿龛 中国式造像 汉化初期 

分 类 号：K879.22[历史地理—考古学及博物馆学]