马克思文艺理论视角下《中国机长》与《萨利机长》比较研究  

A Comparative Study of"Captain China"and"Captain Sully"from the Perspective of Marxist Literary Theory

作　　者：古宗烨 徐冰涛 Zongye Gu;Bingtao Xu(Tianjin Normal University,Tianjin 300387)

机构地区：[1]天津师范大学,天津300387

出　　处：《艺术研究学刊》2025年第1期55-57,共3页

摘　　要：本文是基于马克思主义文艺理论,以比较法为研究方法,对比分析《中国机长》与《萨莉机长》两部电影,分析中美现实灾难电影的差异及其成因。本文认为,其差异在内容上表现为全民英雄主义与个人英雄主义的差异,在形式上表现为线性叙事与非线性叙事的差异。二者的差异性也为中国电影的创作带来一定启示,主要表现为对电影创作过程中典型人物塑造和叙事形式方面的启示。This article is based on Marxist literary theory and uses comparative method as the research method to compare and analyze the differences and causes of real-life disaster films between China and the United States,namely"Captain China"and"Captain Sally".This article believes that the differences are manifested in the content as the difference between national heroism and individual heroism,and in the form as the difference between linear narrative and non-linear narrative.The differences between the two also provide some inspiration for the creation of Chinese films,mainly manifested in the inspiration for the portrayal of typical characters and narrative forms in the film creation process.

关 键 词：马克思主义文艺理论 现实灾难电影 《中国机长》 《萨利机长》 

分 类 号：J901[艺术—电影电视艺术]