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作 者:彭娟 徐婀娜 PENG Juan;XU E’na(School of Literature and Journalism,Hunan First Normal University,Changsha 410205,China)
机构地区:[1]湖南第一师范学院文学与新闻传播学院,湖南长沙410205
出 处:《湖南人文科技学院学报》2025年第2期56-63,99,共9页Journal of Hunan University of Humanities,Science and Technology
基 金:国家社科基金项目“文图关系视域下的宋元诗画研究”(22BZW089);湖南省社科基金项目“《明史》湘籍人物研究”(23YBA264)。
摘 要:《湖南女士诗钞》中收录了105余首湖湘景观题咏诗,是清代湖湘女诗人受随宦、归宁、神思等方面影响衍生的综合产物,与其人生经历紧密相关,呈现出强烈的时代特征和地域特色。源于自身的天性情感与伦理责任,加之楚地山水的浸染,湖湘女诗人以独有的视角展现了湖湘地域文化中女性所特有的情怀和审美追求。相较于前朝,湖湘女诗人在不断拓展个人生存空间、活动领域和社交范围的同时,实现了在思想上、精神上、心态上的突破,使之更具个人意识。对湖湘女诗人景观题咏的研究有助于全面了解其真实的生活状况,也能一窥特定地域文化下的文化心态。Hunan Women's Poetry Notes compiles over 105 landscape eulogies by women poets from Hunan during the Qing Dynasty.These poems are a comprehensive product derived from factors such as officialdom,homecoming and mind wandering,which were closely related to life experiences of women poets,exhibiting distinct temporal and regional characteristics.Stemming from their innate emotions and ethical responsibilities,coupled with the influence of the Chu region's landscapes,women poets from Hunan presented the unique sentiments and aesthetic pursuits in their local culture through a distinctive perspective.Compared with their predecessors,while continuously expanding their personal living spaces,spheres of activity,and social circles,women poets from Hunan also achieved breakthroughs in thought,spirit,and mindset,making their works more individualistic.Research on the landscape eulogies of women poets from Hunan helps us gain a more comprehensive understanding of their real-life conditions and offers a glimpse into the cultural mentality under specific regional cultures.
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