论韩愈诗歌神话书写中的“文儒一体”  

On the“Intergration of Culture and Confucianism”in Mythological Writing of Han Yu’s Poetry

作　　者：马怡茗 MA Yiming(Chinese Culture Research Institute,Beijing Language and Culture University,Beijing 100083,China)

机构地区：[1]北京语言大学中华文化研究院,北京100083

出　　处：《韶关学院学报》2025年第1期50-56,共7页Journal of Shaoguan University

摘　　要：中唐时,韩愈开创了怪奇式的诗歌神话书写。其取材兼备广博与搜奇,背后蕴藏着“文”与“儒”的双重追求。他以浪漫笔法抒发审美情感,艺术个性的背后是内在深厚道德的滋养;他通过讽喻来寄托儒家道义,方式却充满了诗性,体现出“文”与“儒”的共生。事实上,“文儒一体”是唐代社会文化背景下的必然发展趋势,“以文塑儒”则是韩愈诗歌神话书写的独特内核所在。In the Middle Tang Dynasty,Han Yu pioneered the writing of grotesque mythopoetic discourse in poetic composition,characterized by erudite yet esoteric source appropriation,which manifested the dual pursuit of“literature”and“Confucianism”.He expressed his aesthetic feelings with romantic brushwork,and behind his artistic personality was the nourishment of profound morality.He expressed Confucian moral values through the allegorical words of beauty,satire and remongiousness,but the way was full of poetry,which reflected the symbiosis of“literature”and“Confucianism”.As a matter of fact,“the integration of culture and Confucianism”is the inevitable development trend under the social and cultural background of Tang Dynasty,and“shaping Confucianism with literature”is the unique core of Han Yu’s poetry myth writing.

关 键 词：韩愈诗歌 神话书写 文儒一体 以文塑儒 

分 类 号：I206.2[文学—中国文学]