电影地理学:一个跨学科研究领域的进展  

Film Geography:An Interdisciplinary Research Progress

作　　者：吴艳芳 周传艺 WU Yanfang;ZHOU Chuanyi(School of Journalism and Communication,Shandong Normal University,Jinan 250358,China;Postdoctoral Research Station,Radio and Television Administration of Shandong Province,Jinan 250062,China)

机构地区：[1]山东师范大学新闻与传媒学院,济南250358 [2]山东省广播电视局博士后科研工作站,济南250062

出　　处：《上海大学学报(社会科学版)》2025年第2期46-60,共15页Journal of Shanghai University(Social Sciences Edition)

摘　　要：电影地理学于20世纪80年代中后期兴起,至今已积累了相当规模的专著、论文集以及导论、综述等文献资料,并形成了以欧美国家为主要阵地、以电影媒介的地理特性为研究领域的新兴学科分支。这一学科分支主要探讨电影中的空间、地方、景观等表征内容及其所关涉的性别文化、地缘政治等话语体系,以及电影在生产与消费过程中的经济结构及其与地理现实的关系等议题。我国对电影学与地理学的交叉研究几乎与西方同步进行,但研究领域差别较大,且体现着一定的自主性与独特性。这种差异在当下文明交流互鉴的语境下,呈现出更多融合碰撞的交互性与可能性。Film geography,which emerged in the mid to late 1980s,has since accumulated a substantial body of literature including monographs,paper collections,introductions,and reviews.It has evolved into an emerging disciplinary branch primarily centered in European and American countries,focusing on the geographical dimensions of film media.This field primarily investigates the representation of space,place,and landscape in films,along with related discourse systems such as gender culture and geopolitics.It also examines the economic structures of film production and consumption,and their relationship with geographical reality.While China’s cross-disciplinary research combining film studies and geography began almost simultaneously with Western developments,its research focus differs significantly,demonstrating considerable autonomy and distinctiveness.In the current context of cultural exchange and mutual learning,these differences present rich opportunities for interaction,integration,and intellectual exchange.

关 键 词：电影地理学 空间转向 地缘文化 中国电影学派 

分 类 号：J901[艺术—电影电视艺术]