论旅英马华作家欧大旭《和谐丝庄》中的情感结构  

On the emotional structure of The Harmony Silk Factory by Tash Aw,a Malaysian-Chinese writer in the UK

作　　者：戚曼玉 南健翀[2] QI Manyu;NAN Jianchong(Graduate School of Xi’an International Studies University,Xi’an 710128,China;School of English Studies of Xi’an International Studies University,Xi’an 710128,China)

机构地区：[1]西安外国语大学研究生院,陕西西安710128 [2]西安外国语大学英文学院,陕西西安710128

出　　处：《浙江师范大学学报(社会科学版)》2025年第2期65-73,共9页Journal of Zhejiang Normal University(Social Sciences)

基　　金：西安外国语大学研究生科研基金项目“欧大旭小说的后现代历史书写”(2024ZC003)。

摘　　要：旅英马华作家欧大旭于2005年发表了他的首部长篇小说《和谐丝庄》。该书以二战时期日军入侵英属殖民地马来亚的历史为背景,再现了马来亚华人在日占时期艰难生存的历史境况。欧大旭在小说中对自我族群的历史书写蕴含着马华族群内部共有的情感结构,联结个体经验与集体经验的情感结构在小说中被具化为聚焦马来亚华人艰难生存、颠覆帝国殖民叙事霸权和拥抱多民族文化的集体记忆与族裔情感,寄寓着作家对殖民历史的反思和对多民族国家命运的关怀。The Malaysian-Chinese writer Tash Aw,who lives in Britain now,published his first novel The Harmony Silk Factory in 2005.The novel,set in the British colony Malaya under the invasion of the Japanese army during World War II,reproduces the difficult historical circumstances of the Malaysian Chinese who managed to survive during the Japanese occupation of Malaya.In the novel,Aw’s historical writing of his own ethnic group bears the emotional structure shared by the Malaysian-Chinese community.The emotional structure,which connects the individual experience with the collective experience,is vividly represented in the novel as the collective memories and ethnic feelings that focus on the difficult life of the Chinese in Malaya,overturn the hegemony of the imperial colonial narrative and embrace diverse culture,all of which embody the author’s reflection of the colonial history and deep concern over the fate of the multiethnic country.

关 键 词：欧大旭 《和谐丝庄》 情感结构 殖民历史 

分 类 号：I106.4[文学—世界文学]