定位故乡的方式——论《北流》的植物书写  

How to Locate the Hometown--On Plant Writing in BeiLiu

作　　者：郭佳[1] GUO Jia(Nanjing Normal University,Nanjing 210023,China)

机构地区：[1]南京师范大学,江苏南京210023

出　　处：《金华职业技术学院学报》2024年第6期62-66,共5页Journal of Jinhua Polytechnic

摘　　要：《北流》是林白以个人化的叙事方式书写乡村社会化现实和新文学图景的集大成与新开端,作为大地之子的植物是这部作品着墨甚多的对象。作者在书写故乡植物的过程中自然而然地形成了对理想生命的期待,并且表现出对历史变迁的记忆对抗、对空间变换的情感坚守。北流植物的肆意蓬勃与北流人的精神特质具有内在的一致性,植物与人的生命力量都源于故乡,最终又归入故乡,在北流边地上悄然复苏。借由植物在时空维度上的“定位”,林白找到了通往精神故乡的方向。BeiLiu is the culmination and a new beginning for Lin Bai to write about the socialized reality of the countryside and the new literary landscape in a personalized narrative way,plants,as the children of the earth,are the objects of this work.The author has naturally formed the expectation of an ideal life in the process of writing about the plants in her hometown,and has demonstrated a confrontation of memories to the historical changes,and an emotional firmness to the spatial transformations.The unrestrained vigor of Beiliu’s plants and the spiritual qualities of Beiliu’s people are internally consistent,and the life force of plants and human beings both originate from their hometowns and eventually return to their hometowns,quietly recovering in the Beiliu borderlands.Through the plants’“localization”in time and space dimensions,Lin Bai has found the direction to her spiritual hometown.

关 键 词：《北流》 植物书写 南方故乡 

分 类 号：I207.42[文学—中国文学]