从缠足到天足的曲折历程——近代天津报刊文学中的放足记忆  

The Twisted Process from Bound Feet to Unbound Feet:Memories of Unbinding Feet in Modern Tianjin Newspaper Literature

作　　者：李云[1] LI Yun(College of Humanities and Law,Tianjin University of Science and Technology,Tianjin 300222,China)

机构地区：[1]天津科技大学文法学院,天津300222

出　　处：《廊坊师范学院学报(社会科学版)》2025年第2期37-45,共9页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：教育部人文社会科学研究项目“近代天津报刊文学研究”(23YJA751010)阶段性成果。

摘　　要：近代天津虽是一座通商口岸城市,但缠足习俗却与全国多地一样,致使女性承受了肉体与精神的双重痛苦。在近代天津女子从缠足到天足的曲折历程中,刘孟扬等人通过《大公报》《北洋官话报》《天津白话报》等报刊,以白话、征文、诗歌、小说等形式劝禁缠足、提倡放足和宣传天足,有力推动了社会文化转型。同时,这些对社会的密切关注与积极参与,也使得近代天津报刊文学相较于传统文学具有了新题材、新思想,促进了近代诗文小说等各体文学的发展。Although modern Tianjin was a commercial port city,like in many other parts of China,its practice of foot-binding caused women to endure both physical and mental agonies.During the twisted process from bound feet to unbound feet in modern Tianjin,figures such as Liu Mengyang,through newspapers like Ta Kung Pao,Beiyang Mandarin News,and Tianjin Vernacular News,used vernacular language,essays,poems,and novels to discourage foot-binding,advocate for foot liberation,and promote the idea of unbound feet.These efforts contributed significantly to social and cultural transformation.At the same time,their close attention to and active participation in social issues made modern Tianjin periodical literature distinct from traditional literature,as it introduced new themes and new ideas that promoted the development of various forms of modern literature,such as poetry,prose,and novels.

关 键 词：晚清 天津 报刊 放足 

分 类 号：I206.6[文学—中国文学]