留法经验与李健吾的戏剧创作及文学批评——基于自然主义与文学社会学的考察  

The Experience of Studying in France and Li Jianwu’s Playwriting and Literary Criticism:An Examination from the Perspectives of Naturalism and Literary Sociology

作　　者：范水平 张雨琴 FAN Shuiping;ZHANG Yuqin(School of Literature,Jiangxi Normal University,Nanchang Jiangxi 330022,China)

机构地区：[1]江西师范大学文学院,江西南昌330022

出　　处：《廊坊师范学院学报(社会科学版)》2025年第2期46-54,共9页Journal of Langfang Normal University(Social Sciences Edition)

基　　金：国家社会科学规划一般项目“自然主义诗学在中国的传播与接受研究”(19BZW029)阶段性成果。

摘　　要：李健吾曾留学法国,一生以法国文学翻译与研究为职业、以福楼拜研究为志业,其留法活动与法国自然主义文学阅读经验给他的文学创作和批评活动带来了深刻影响。在李健吾的戏剧创作中,常从病理学视角塑造人物、从生物学视角书写“人”的生理欲望;在其文学批评中,常从病理学、生物学、遗传学、文学社会学等视角阐述其理论主张。这令其文学活动整体呈现出浓厚的科学色彩,体现出对文学现代性的自觉追求。Li Jianwu,who once studied in France,pursued the translation and research of French literature as a career and took the study of Flaubert as a life-long commitment.His experience of studying in France and his exposure to French naturalist literature exerted a profound influence both on his literary creation and critical activities.In Li Jianwu’s playwriting,he often shapes characters from a pathological perspective and writes about human physiological desires from a biological standpoint.In his literary criticism,he frequently employs perspectives from pathology,biology,genetics,literary sociology,and other disciplines to articulate his theoretical views.This approach gives his literary activities a strong scientific character and reflects a conscious pursuit of literary modernity.

关 键 词：留法经验 李健吾戏剧 李健吾文学批评 自然主义 文学社会学 

分 类 号：I206.6[文学—中国文学]