《平山冷燕》中的空间叙事探析  

An Analysis of the Spatial Narrative in Ping Shan Leng Yan

作　　者：刘姿含 LIU Zihan(School of Literature,Capital Normal University,Beijing 100089,China)

机构地区：[1]首都师范大学文学院,北京100089

出　　处：《广西科技师范学院学报》2024年第6期1-8,共8页Journal of Guangxi Science & Technology Normal University

摘　　要：本研究以清初才子佳人小说《平山冷燕》为研究对象,从空间叙事理论视角切入,系统探讨小说中多重空间构建的叙事功能与象征意蕴。该小说通过历史与文学、权力与地位、庭园与人物三重空间维度,形成独特的叙事结构:历史空间以平山堂、玉尺楼等江南名胜为载体,既推动情节发展又寄寓文人理想;权力空间通过皇宫与府邸的等级秩序书写,折射皇权正统性与社会阶层分化;庭园空间则以浣花园、梅园为典型,实现人物性格塑造与情感流动的双向互动。作者运用“水穷云起”的时空转换手法,将交际空间、建筑空间与情感空间有机融合,使空间成为承载才情展演、突破性别桎梏的重要场域。这种空间叙事强化了才子佳人“以才相慕”的核心主题,通过虚实相生的空间符号建构,体现了清初文人突破传统叙事模式的创新意识,为解读才子佳人小说的艺术特征提供了新的研究路径。Space has become the basic structural element in the novel.The novel,Ping Shan Leng Yan shows a unique spatial narrative form,with a certain symbolic meaning,and expresses a profound theme.The display space of history and literature embodies the author’s yearning and pursuit for a beautiful society;the presentation space of power and status praises the talent,and the fusion space of garden and characters reflects the artistic conception of traditional garden and highlights the personality of characters.Through carefully constructed spatial scenes and ingenious narrative techniques,the integration of multiple spaces,such as communicative space,architectural space and emotional space,is combined to form an artistic space with rich connotations.

关 键 词：《平山冷燕》 才子佳人小说 空间叙事 

分 类 号：I207.41[文学—中国文学]