路径与困境:论翟永明1990年代以来的诗歌写作  

Path and Predicament:The Poetic Writing of Zhai Yongming since 1990s

作　　者：李娜 LI Na(School of Humanities,Tsinghua University,Beijing 100000)

机构地区：[1]清华大学人文学院,北京100000

出　　处：《江汉学术》2025年第2期24-35,共12页JIANGHAN ACADEMIC

摘　　要：作为当代诗歌写作现场的一个缩影与写作观念蜕变、更迭的化身,自20世纪80年代中期以来,翟永明的诗歌创作在持续中不断革新,展现出阶段性变化的独特面貌,成为观察当代诗歌发展走向的重要个案。20世纪90年代后期,诗人提出“面对词语本身”的写作概念,这一策略为当时的创作注入了新鲜的艺术活力。然而,随着时代背景与个人境遇的急速变化,这种策略在21世纪的写作中逐渐显露出弊端——逐渐流于词语的拼接、语义的重复,使文本内外的诗意张力趋于削弱,创作亦在某种程度上陷入了形式和内容的双重困境,缩影为当代诗歌更新与转型的症候一种。Zhai Yongming’s poetry creation is an epitome of contemporary poetry writing scene and embodiment of the transformation and change of writing ideas.Since the mid-1980s,Zhai’s poetic practice has been continuously innovating,and the periodic changes makes it an important case for observing the development trend of contemporary poetry.In the late 1990s,she put forward the idea of“facing the words themselves”in writing,which injected fresh artistic vitality into literary creation at that time.However,with the rapid changes of the times and personal circumstances,this strategy has gradually revealed its drawbacks in the 21st century:word splicing and semantic repetition has weakened the poetic tension inside and outside the text,and poetic creation has also fallen into a dilemma to some extent both in form and content.It is a syndrome of the renewal and transformation of contemporary poetry.

关 键 词：翟永明 当代诗歌 女性诗歌 时代 语言 困境 

分 类 号：I207.25[文学—中国文学]