1960年代前马华作家韦晕小说的中国形象抒写  

On the Chinese Image Expression in Malaysian Chinese WriterWei Yun’s Fictional Writing Before 1960s

作　　者：黎向梅 黄丽丽[1] LI Xiang-mei;HUANG Li-li(Institute of Chinese Studies,Tunku Abdul Rahman University,Kuala Lumpur 43200;School of Education,Nanning University,Nanning 530299)

机构地区：[1]拉曼大学中华研究院,马来西亚吉隆坡43200 [2]南宁学院教育学院,广西南宁530299

出　　处：《阴山学刊》2025年第2期21-25,共5页Yinshan Academic Journal

摘　　要：目前学界对马华作家如黄锦树、黎紫书等人作品中表现出的中国性的研究成果较为丰硕,但较少关注前期登上马华文坛的作家作品中的中国形象。韦晕是第一代马华作家,在中国香港、广东两地生活的丰富经历,使其对中国的理解、对中国的文化想象有着独特的体悟。1960年之前,他从当地的现实社会和生活中挖掘题材,在他的小说中创造了一批鲜活的中国人形象。在这些形象背后,隐含着韦晕的文化心态和认知心理:既延续了中国“五四运动”以来强烈的侨民意识,也逐渐融入了对新家园——马来西亚的热爱和认同。At present,the research results on the Chinese character of Malaysian Chinese writers,such as Huang Jinshu and Li Zishu,are abundant,but less attention is paid to the Chinese images in the works of the writers who entered the early stage of the Chinese literary circle.Wei Yun is an early first generation of Malaysian Chinese writers,living in Hong Kong and Guangdong.Having rich life experience in the two places,he had a unique personal understand on China and Chinese cultural imagination.Before the 1960s,he mined themes from the local reality and life,and created a batch of vivid Chinese images in his fiction.Behind the images,there is also a hidden cultural mentality and cognitive psychology of Wei Yun:it not only continues the strong consciousness of overseas Chinese since the May Fourth Movement in China,but also shows his identity and love of the new homeland-Malaysia.

关 键 词：马华作家 韦晕 中国形象 

分 类 号：I207.42[文学—中国文学]