从写本到刻本:宋代《文苑英华》版本演变考论  

From Handwritten to Engraved:The Evolution of Wenyuan Yinghua in the Song Dynasty

作  者:何水英 HE Shuiying(Basic Medical College,Guizhou University of Traditional Chinese Medicine,Guiyang,Guizhou 550025,China)

机构地区:[1]贵州中医药大学基础医学院,贵州贵阳550025

出  处:《河北工业大学学报(社会科学版)》2025年第1期28-35,共8页Journal of Hebei University of Technology:Social Sciences Edition

基  金:国家社会科学基金项目“《文苑英华》编纂研究”(16BZW060)。

摘  要:《文苑英华》自宋太宗雍熙三年修纂完成之后,长期以写本形式存在。南宋周必大、彭叔夏等人以彰显君王文治之功为目的,以“实事是正,多闻阙疑”为校书之法,对《文苑英华》旧写本进行校理,并将其刊行,完成了《文苑英华》由写本到刻本的版本转变。通过对宋刻本《文苑英华》所注校记以及彭叔夏《〈文苑英华〉辨证》所载校勘内容的分析,可以发现周必大等人除了采取校异、订讹或存疑皆旁注为主的校理方式之外,还采用了去除重复内容、移动作品编排位置、增加篇目、径改作品内容等方式对《文苑英华》旧写本进行改编。这一改编虽然在一定程度上改变了旧写本原貌,但使《文苑英华》编排更合理,折射出了校勘者的总集编纂观念。Wenyuan Yinghua,after the revision in the third year of Yongxi,during the reign of Emperor Taizong in the Song Dynasty,had been existing for a long time in the form of a handwritten book.In the Southern Song Dynasty,Scholars such as Zhou Bida,Peng Shuxia aimed at highlighting the achievements of the monarch′s cultural governance,relied on the facts,retained doubts,proofread the original handwritten version and made it published,which completed its transformation from a written version to an engraved one.Through the analysis of the annotations of the Song Dynasty block-printed edition and the collation contents of Peng Shuxia′s Dialectical about Wen Yuan Ying Hua,it is found that Zhou and others adopted not only the collation method of differences checking,correcting,side-noting doubts,but also methods of removing repeated contents,rearranging works position,adding articles and modifying contents of works to the old edition.This adaptation changed the original appearance of the old writing to a certain extent,made its arrangement more reasonable,and reflected the codifiers′overall concept in this regard.

关 键 词:《文苑英华》 宋刻本 旧写本 演变 意义 

分 类 号:I206.2[文学—中国文学]

 

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