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作 者:何欢 HE Huan(School of Literature,Yunnan Normal University,Kunming 650000,China)
出 处:《宿州教育学院学报》2025年第1期108-113,共6页Journal of Suzhou Education Institute
摘 要:地方书写作为“地之景”与“人之情”相融合的文学创作,是探寻战时作家文化心理、构建战时“边地中国”形象的研究对象。其中,战时红河的地方书写因自身地理文化与作家群体构成而独具特殊性,战时红河“地之景”的呈现主要分为两类,一为西南联大文法学院师生对“诗意蒙自”的浪漫回忆书写,二为战时学者前往滇南调研过程中对战时“乱世边地”的现实书写。浪漫与现实的“地之景”承载着的是作家“人之情”的惆怅与忧思。地方书写中浪漫却又现实的边地面貌与作家愁思的情感基调,共同构建起战时“边地中国”的多元文学形象,为战时文学的研究提供了丰富的研究内容及现实意义。Local writing,as a literary creation integrating"landscape"and"human emotion",is a research object to explore the cultural psychology of wartime writers and construct the image of"frontier China"during wartime.Among them,the local writing of the Red River in wartime is unique because of its own geographical culture and the composition of writers.The presentation of the"landscape"of the Red River in wartime is mainly divided into two categories:one is the romantic memory writing of the teachers and students of the Law School of Southwest United University on the"poetic ignorance";the other is the reality writing of the wartime"troubled frontier land"during the investigation of scholars in southern Yunnan.The"landscape"of romance and reality carries the melancholy and anxiety of the writer's"human feelings".The romantic and realistic border features in local writing and the emotional tone of writers'melancholy build up the multi-literary image of"border China"during the war,which provides rich research content and practical significance for the study of wartime literature.
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