基于抽象艺术思维的建筑设计研究——西湖文体中心设计实践  

Research on Architectural Design Based on Abstract Artistic Thinking:Design Practice of Westlake Cultural and Sports Center

作　　者：崔光亚[1] 李澍田 浦欣成[2] CUI Guangya;LI shutian;PU Xincheng

机构地区：[1]汉嘉设计集团股份有限公司 [2]浙江大学建筑工程学院建筑学系

出　　处：《南方建筑》2025年第3期94-101,共8页South Architecture

基　　金：浙江省哲学社会科学规划课题资助项目(21NDJC035YB):空间体验视角下浙江省乡村聚落建筑风貌测评的量化方法研究。

摘　　要：在科技与文化快速更迭的21世纪,对建筑艺术本体的抽象性、本质性表达因承载更多内涵而被削弱。首先回顾了抽象派艺术与建筑设计的历史关联,受工业发展等影响,艺术走向抽象领域,多种艺术运动推动其发展,抽象艺术又通过几何抽象和抒情抽象两类影响现代建筑运动,两者相互促进。其次,探究建筑设计与抽象派艺术创作思想的交融,追溯几何抽象为建筑提供视觉语言,在现代主义建筑设计中有重要意义。然后,以西湖区文体中心为例阐述应用。项目背景特殊,其几何性空间构成包括四个弧面隐喻及虚空,体现了几何逻辑美感与独特空间体验;抒情性空间体验涵盖漫游空间体系及虚空精神体验,实现室内外空间融合与功能的公共性。最后强调应反思建筑设计本质,去除附加物,回归抽象设计,关注建筑与环境基于存在论的互动,使建筑成为动态的、与环境共同演化的整体。This study explores how architectural art can reclaim its intrinsic value within complex societal contexts amid technological innovation in the big data era and the shift of consumer culture in the 21st century.Key attention is paid to the theoretical links and practical pathways between abstract artistic thinking and modern architectural design.In this study,abstract art's profound impact on architectural form and its contemporary significance is disclosed through historical tracing,theoretical analysis,and case studies.An empirical study based on the West Lake District Cultural and Sports Center in Hangzhou was carried out using phenomenology and structuralism as philosophical foundations,combined with the abstract art theory of Wassily Kandinsky,and the constructivist principles of the Bauhaus School.Multidimensional research methodologies were applied in the empirical study.A topological analysis of the four-curved-surface geometric system of the building was carried out through morphological analysis to disclose its combinatorial logic.The dual psychological mechanism of"cocooning-extending"in the immersive experiences was quantified by spatial phenomenological documentation through user trajectory tracking and interviews of their feeling.The study demonstrates that architectural abstraction encompasses two interdependent dimensions:geometric simplicity in formal composition and polysemic ambiguity in experiential perception.Such contradiction constitutes the dynamic source of tension in modern architectural aesthetics.Regarding practical implementation,the West Lake Cultural and Sports Center realized architectural transformation from concrete symbols to spiritual media through recombining geometric elements(e.g.,an arch ceiling with a span of 87.3 m and the glass arc surface form a magnetic field),authentic material expression of(exposed steel structures and glass refraction effect),and creation of the spatial paradox(coexistence of physical barriers and visual permeability).In this study,a"three-stage abs

关 键 词：抽象艺术 建筑本质 抽象性 建筑设计 现代性 

分 类 号：TU2[建筑科学—建筑设计及理论]