扎染工艺在“废土美学”文创产品中的应用研究  

Research on the Application of Tie-Dye Techniques in"Post-Apocalyptic Aesthetic"Cultural and Creative Products

作　　者：李梦瑶 LI Mengyao(College of Art and Design,Guangdong University of Technology,Guangzhou 510006,China)

机构地区：[1]广东工业大学艺术与设计学院,广东广州510006

出　　处：《西部皮革》2025年第4期128-130,共3页West Leather

摘　　要：文章探讨了扎染工艺在“废土美学”文创产品中的创新应用,旨在通过传统技艺与现代美学的结合,推动非遗文化的传承与发展。文章分析了扎染工艺与废土美学在材料质感和文化内涵上的关联性,并通过设计实践验证了扎染在废土美学语境下的创新潜力。研究表明,扎染的晕染效果与废土美学的粗粝质感相结合,能够形成独特的视觉碰撞,为文创产品注入破败美感。研究为传统技艺的当代转译提供了新思路,具有重要的文化传承与市场推广价值。This study explores the innovative application of tie-dye techniques in"post-apocalyptic aesthetic"cultural and creative products,aiming to promote the inheritance and development of intangible cultural heritage through the integration of traditional craftsmanship and modern aesthetics.The article analyzes the connections between tie-dye techniques and post-apocalyptic aesthetics in terms of material texture and cultural connotations,and validates the innovative potential of tie-dye within the context of post-apocalyptic aesthetics through design practices.Research shows that the blending effects of tie-dye,combined with the rugged textures of post-apocalyptic aesthetics,create a unique visual contrast,infusing cultural products with a sense of decayed beauty.The research provides new perspectives for the contemporary reinterpretation of traditional craftsmanship,demonstrating significant value for cultural heritage preservation and market promotion.

关 键 词：扎染工艺 废土美学 文创产品 非遗传承 材料质感 创新设计 

分 类 号：TS193.5[轻工技术与工程—纺织化学与染整工程]