《聊斋志异》中泰山神灵的崇祀状况与形象寄托  

The Cult Status and Symbolic Depiction of the Deities of Mount Tai in Liaozhai Zhiyi

作　　者：王世玥 Wang Shiyue(Guangxi University for Nationalities,College of Liberal Arts,Nanning 530000,China)

机构地区：[1]广西民族大学文学院,广西南宁530000

出　　处：《蒲松龄研究》2025年第1期44-54,共11页Study on Pu Songling

摘　　要：蒲松龄在《聊斋志异》中多次写到泰山及泰山神灵,在他笔下,泰山已经超越了传统的地理空间概念和政治化象征,成一种神祇居住的场所和民间信仰的文化场域。同时,蒲松龄又以泰山神灵来表达自己的政治理想和理性思考。具体来说,一方面他借东岳大帝公正威严的形象表达了对最高统治者的期待心理;另一方面,他通过对碧霞元君的反向塑造表达了对民间狂热香祀活动的疑虑。Pu Songling frequently references Mount Tai and its deities in Liaozhai Zhiyi.However,in his writings,Mount Tai transcends the traditional concept of geographical space and political symbolism,transforming into a dwelling place for deities and a cultural sphere of folk beliefs.Meanwhile,Pu Songling uses the deities of Mount Tai to express his political ideals and rational reflections.Specifically,on the one hand,he employs the impartial and awe-inspiring image of the Dongyue Emperor to express his expectations of the supreme ruler.On the other hand,through his inverted portrayal of Bixia Yuanjun,he expresses his doubts about the fervent folk religious activities,shining with rational brilliance.

关 键 词：蒲松龄 《聊斋志异》 东岳大帝 碧霞元君 

分 类 号：I207.419[文学—中国文学]