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作 者:李华[1] Li Hua(Zibo Normal College,Zibo 255120,China)
机构地区:[1]淄博师范高等专科学校人文学院,山东淄博255120
出 处:《蒲松龄研究》2025年第1期138-148,共11页Study on Pu Songling
基 金:山东省社会科学规划研究项目“公宴与汉魏六朝文学”(编号:21CPYJ43)。
摘 要:宴饮是汉魏六朝志怪小说中重要的题材内容,汉魏六朝志怪小说的宴饮描写突破现实时空的限制,各种神仙、鬼怪形象跨越仙凡、幽明之隔,现身于人世的宴饮之中,各种宴饮情节充满了奇幻的想象,展现了一个光怪陆离的世界。本文试从神仙与宴饮、鬼与宴饮、怪与宴饮等方面,来探究汉魏六朝志怪小说饮宴书写的多元性。汉魏六朝志怪小说中的饮宴书写,传承礼乐和合文化,体现道教、佛教盛行的时风,对后代神魔志怪类小说从情节内容到艺术手法都产生了深远的影响。Banquets were an important theme in the supernatural novels of the Han,Wei,and Six Dynasties.The banquet descriptions in the supernatural novels of the Han,Wei,and Six Dynasties break through the limitations of real time and space,Various images of immortals and ghosts cross the gap between immortality and darkness,appearing in the banquets of the human world.The various banquets are full of fantastic imagination,showcasing a colorful and bizarre world.This article attempts to explore the rich diversity of banquet writing in the supernatural novels of the Han,Wei,and Six Dynasties from the perspectives of immortals and feasts,ghosts and feasts,monsters and feasts,etc.The writing of banquets in the supernatural novels of the Han,Wei,and Six Dynasties inherits the culture of ritual and music harmony,reflects the prevailing trend of Taoism and Buddhism,and has had a profound impact on the plot content and artistic techniques of future supernatural novels.
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