广西三江侗族榕树纹及其首饰应用设计初探  

An Initial Exploration of the Banyan Tree Patterns of the Dong Ethnic Group in Sanjiang,Guangxi,and Their Application in Jewelry Design

作　　者：周沛奇 李耿[1] ZHOU Peiqi;LI Geng(School of Gemmology,China University of Geosciences(Beijing),Beijing 100083)

机构地区：[1]中国地质大学乡(北京)珠宝学院,北京100083

出　　处：《中国宝玉石》2024年第5期36-42,共7页China Gems & Jades

摘　　要：榕树纹是广西三江地区侗族的传统榕树文化的标志性纹样。本文通过田野调查深入侗族聚居地,对三江侗族榕树纹的历史、美学特点及文化内涵进行了综合研究。同时,围绕纹样开展首饰设计,探究其在首饰设计领域的应用路径。研究表明三江侗族榕树纹不仅富有地域特点与侗族文化寓意,而且在首饰设计中的应用可显著增强作品的结构美感、丰富设计内涵,可为侗族纹样艺术与现代首饰设计风格的创新提供新思路,焕发新风采。This article focuses on the Banyan tree patterns of the Dong ethnicity in Sanjiang,Guangxi.Through field research in Dong settlements,a comprehensive study was conducted on the historical background,aesthetic characteristics,and cultural connotations of the Sanjiang Dong Banyan tree patterns.Additionally,the research involved developing derivative jewelry designs based on these patterns,exploring their application in the field of jewelry design.The study reveals that the Banyan tree patterns of the Dong ethnic group in Sanjiang not only embody distinctive regional characteristics and cultural meanings of the Dong ethnic group but also,when applied in jewelry design,significantly enhance the aesthetic appeal of the works'structure and enrich their design connotations.This can provide fresh perspectives for the innovation of Dong ethnic pattern art and modern jewelry design styles,bringing about a renewed and revitalized artistic charm.

关 键 词：侗族 榕树纹 首饰设计 纹样 

分 类 号：J523[艺术—艺术设计]