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作 者:张媛媛[1] 董华锋[1] ZHANG Yuanyuan;DONG Huafeng(School of Archaeology and Museology,Sichuan University,Chengdu 610065,Sichuan)
出 处:《敦煌研究》2025年第1期43-51,共9页Dunhuang Research
基 金:四川省哲学社会科学“十四五”规划2024年度专项资助课题“川渝石窟华严系统造像研究”(SC24E038)。
摘 要:佛顶尊胜陀罗尼经变是据《佛顶尊胜陀罗尼经》创作的经变类图像,在敦煌地区较为发达,浙江亦见四例,四川此前仅见两处。据经文辨识出资中西岩、眉山丈六院、广元皇泽寺开凿了四龛佛顶尊胜陀罗尼经变,将四川地区这类经变的总数提升至6铺。敦煌、浙江、四川三地的佛顶尊胜陀罗尼经变在图像形式、组合方式、人物形象、情节选取上的差异性远大于相似性,推测是在各地熟悉经文的前提下独立创作完成的。Several sutra illustrations recently found in Sichuan were created based on the Usnisa Vijaya Dharani Sutra,a text that was also relatively popular in Dunhuang.Previously,four examples of this illustration have been found in Zhejiang while only two have been found in Sichuan.According to the text of the sutra,the four illustrations,which were respectively found at Xiyan in Zizhong,Zhangliuyuan in Meishan and Huangzesi in Guangyuan,have been identified as belonging to the same sutra illustration,thus increasing the total number of extant illustrations in Sichuan to six.The illustrations of the same theme found in Dunhuang,Zhejiang,and Sichuan are quite different in terms of form,content,thematic combination,characters,and plot,from which it can be inferred that these images were likely created independently of one another based on regional,disparate understandings of the same scriptural text.
关 键 词:佛顶尊胜陀罗尼经变 四川石窟 《佛顶尊胜陀罗尼经》
分 类 号:K879.29[历史地理—考古学及博物馆学]
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