敦煌莫高窟壁画所见沥粉贴金技法研究  

A Study on the Techniques for Applying Glue and Pasting Gold Leaf in the Murals of the Mogao Grottoes at Dunhuang

作　　者：岳阳 YUE Yang(Department of Fine Art,Dunhuang Academy,Dunhuang 736200,Gansu)

机构地区：[1]敦煌研究院美术研究所,甘肃敦煌736200

出　　处：《敦煌研究》2025年第1期52-59,共8页Dunhuang Research

基　　金：敦煌研究院院级课题一般项目“榆林窟第2窟水月观音——金箔工艺复原研究”(2024-YS-YB-2)。

摘　　要：中国传统壁画绘制工艺技法和艺术语言丰富多彩,除绘画层的表现技法外,要数金箔工艺较为独特且具有一定的神秘性。传统金箔工艺在佛教传播的影响中,随之发展衍生出多种使用方法:贴金、沥粉贴金、截金、泥金等。通过在壁画绘制过程中运用沥粉贴金实际操作的一些经验,梳理沥粉贴金这一中国传统壁画绘制工艺在敦煌石窟壁画艺术中的出现及使用进程流变规律,从而更好地在实践研究中继承和发扬中国传统壁画绘制中的各项工艺技法。The techniques and artistic methods of Chinese traditional mural painting are highly diverse and capable of creating a large variety of effects.Among the techniques beyond the painting level,the process of applying gold leaf is unique in that it contains a certain degree of mystery.A variety of application methods were developed based on traditional gold foil methods,such as gilding,combining gold powder and gold leaf,gold leaf cutting,and applying gold coating.Based on practical experiences gained from painting murals using the lifenduijin method(沥粉堆金,a painting technique that consists of applying glue on the dry mortar lines and pasting gold leaf on top so as to create a three-dimensional effect),this paper attempts to explore the emergence,use,and evolution of this traditional Chinese mural painting technique in the context of the mural art of the Dunhuang cave temples.It is hoped that this research will contribute to both the study and continued practice of traditional Chinese art culture.

关 键 词：贴金 沥粉贴金 截金 

分 类 号：K879.41[历史地理—考古学及博物馆学] J211.2[历史地理—历史学]