身体动态的文本表述与生成——基于湖南汨罗“打猖”仪式舞蹈的田野调查  

The Textual Representation and Generation of Bodily Dynamics:Fieldwork Based on the"Dachang"Ritual Dance in Miluo,Hunan

作　　者：李星星 LI Xingxing

机构地区：[1]吉首大学音乐舞蹈学院,吉首416000

出　　处：《原生态民族文化学刊》2025年第2期144-152,156,共10页Journal of Ethnic Culture

基　　金：教育部人文社会科学研究一般项目“南岭走廊各民族传统舞蹈共生传承与发展研究”(23YJA760054)。

摘　　要：湖南汨罗“打猖”仪式舞蹈基于多重表演语境生成了多类表演文本,在典型的“民间仪式语境”“节庆展演语境”“舞台创作语境”三类语境中,其身体动态作为核心表演文本分别呈现出“叙事性”“组合性”“艺术性”特征,并隐含以仪式文本为“参照本”的渐进式变迁规律。仪式语境中的身体是文本内有序连接的“符码”,具有严格的程式性和象征意义,从仪式过渡到展演语境直接影响到坛师群体对原有文本的抉择、分解、再生成,而从展演跨越到专业舞台则涉及到文化精英层、文化持有层及艺术创作层的语境传递,新舞蹈作品文本衍变成多语素形态交汇的“织体”。“打猖”多类表演文本的出现虽改变了其本身的性质功能、结构模式、观演场景、意义归属等,但在民间仪式语境中的文本仍较为稳定,因而多重语境跨越与并置下的“打猖”表演文本以多维度的流通态势同时共存。The"Dachang"ritual dance in Miluo,Hunan,has generated multiple types of performance texts based on diverse performative contexts.Within the three typical contexts of"folk ritual context""festival performance context,"and"stage creation context,"the bodily dynamics,as the core performative text,respectively exhibit characteristics of"narrativity""combinatoriality"and"artistry"while implying a gradual transformation pattern referenced to the ritual text as the"prototype".In the ritual context,the body acts as an"encoded sign"within the text,characterized by strict formalism and symbolic significance.The transition from ritual to performance context directly influences the selection,decomposition,and regeneration of the original text by the altar masters'community.The leap from performance to professional stage involves contextual transmission among cultural elites,cultural custodians,and artistic creators,with the new dance works evolving into a"texture"where multiple morphemes intersect.Although the emergence of multiple performance texts of"Dachang"has altered its nature,function,structural mode,performance setting,and meaning attribution,the text within the folk ritual context remains relatively stable.Therefore,the"Dachang"performance texts,spanning and juxtaposing multiple contexts,coexist simultaneously in a multidimensional circulation.

关 键 词：表演语境 身体动态 文本 “打猖”仪式舞蹈 

分 类 号：C95[社会学—民族学]